Posts Tagged ‘Michael Clayton’

Clooney Maintains Dismal View of Darfur

March 4th, 2009

George Clooney is blogging about the ongoing situation in Darfur, but if you’re expecting a resounding positive cheer from the actor, think again.

The Michael Clayton star acknowledges the recent indictment against Sudan’s president for crimes against humanity as "a small window of hope," but says he has little faith that the world will bring him to justice.

"Will his government turn him over? Not likely," Clooney writes. "Will the UN go in after him? Doubtful. Even if he’s caught travelling outside the safety of his country would his government be much better with other equally dangerous leaders like “The Sudanese Six”—Harun, Taha, Kushayb, Hilal, Minawi? If I were a refugee I wouldn’t bet my life on it."

Read Clooney’s entire blog about Darfur below:

 

"Last week, I visited a camp in Chad—a camp of about 12,000 refugees and internally displaced persons. I was there three years ago. The violence there is nowhere near the scale that is going on just miles across the border in Sudan.

I think what was most disturbing about the place was how little it had changed. "Normal" is 800 calories a day, sickness, threats of rebel violence, or just crime. When you see their faces, the hope that was there three years ago was all but gone. There are still moments. We walked through a village where children would follow me and chant the name “Obama.” His promise of “hope” having such a different meaning here. But there’s too little hope. Time and time again they’ve seen the convoy of white trucks and even whiter faces pull up, drag out their camera crew and pull aside the most damaged family they can find. We film them as they give honest answers to questions no person should have to answer. “What happened?” “How did you lose that arm?” “Were you raped?” “By how many?” Then, just as they’ve seen time and time again, we jump back in our vehicles and run to the next place. “Not really tragic enough,” is said out loud (probably by me). “Maybe there’s somebody that’s been attacked more recently.” It’s all been covered before.

UN go in after him? Doubtful.

I stopped on the side of the road on the way back to my fenced-in shelter to talk to a waif of a girl who surely was raped. But the answer was “no.” She was just sick and alone and scared. Not great headline grabbing stuff.

We all meet back up that night to assess. “Not much new.” “What’s the hook?” “What makes it fresh?” These are all the best intentions. Finding a new outrage is the only way to catch the world’s attention. You spend your time looking for (and even secretly hoping for) something or someone tragic to report. A good personal story to get the attention away from what dominates our days and nights. The economy. Iraq. Ponzi schemes. The Oscars.

 

We all know why we’re here and it’s not simply to report the status quo. Even though this status quo is beyond the pale of what is acceptable. It’s beyond our understanding of how much a person can take.

Nothing new to report—except the shame of what man can do to man. And the secret seems to be that the longer it goes on, the more tolerant all of us become of it.

And yet, in the middle of all of this, we get a tiny window of hope. The International Criminal Court has now brought charges and an arrest warrant to Omar al-Bashir, the president of Sudan. He is indicted for crimes against humanity. It’s the first time a sitting president has been charged by The Hague. By the time the ICC got to them, Slobodan Milosevic and Charles Taylor were both finished with their reign of terror. Omar al-Bashir is not. Not by a long shot.

 

How effective these indictments will be is now in the hands of the rest of the world. Will his government turn him over? Not likely. Will the UN go in after him? Doubtful. Even if he’s caught travelling outside the safety of his country would his government be much better with other equally dangerous leaders like “The Sudanese Six”—Harun, Taha, Kushayb, Hilal, Minawi? If I were a refugee I wouldn’t bet my life on it.

So then why is this such a significant moment? Because it tells the 300,000 brutally killed and 2.5 million displaced and raped and maimed that justice must always prevail. That the rest of the world sees their struggle and stands up and demands justice.

 

This is the moment. And if the UN can’t use it to insist on tougher sanctions, and the United States can’t use it to pressure China, and China can’t feel the eyes of the world looking to them for leadership in the country that they profit so greatly from, then the court and the rule of international law is lost.

Now we have a headline: PRESIDENT OF SUDAN INDICTED

No need for sad stories of starving children or heartstirring pictures of a baby koala bear with burnt paws drinking from a water bottle.

Instead, millions of voices standing and demanding “JUSTICE!”

I visited a school in a camp in Goz Beida. The name above the door had been changed to “Obama.”

It seems this message of ‘hope’ is catching on."

 

 

Oscar-Winning Director Sydney Pollack Dies

May 27th, 2008

 

Academy Award–winning director, producer and actor Sydney Pollack passed away on Monday. He was 73.

The film legend died from cancer at his Pacific Palisades home, surrounded by family and friends, his publicist announced. He was diagnosed with the disease about nine months ago.

A prolific filmmaker, Sydney had notched more than 40 producing credits and was at the helm of more than 20 feature films, including The Way We Were and 1985’s Best Picture winner, Out of Africa, for which he picked up a pair of Oscars—one for directing and one for producing.

He was nominated four other times, for directing They Shoot Horses, Don’t They?, directing and producing Tootsie, and producing last year’s Michael Clayton, in which he also appeared.

"Sydney made the world a little better, movies a little better and even dinner a little better," George Clooney, his Clayton costar, said in a statement. "A tip of the hat to a class act. He’ll be missed terribly."

In later years, Sydney took up acting, appearing in Eyes Wide Shut, The Player, The Sopranos, Entourage, Will & Grace and The Interpreter, which he also directed and produced.

His last screen appearance is in this month’s Made of Honor, playing Patrick Dempsey’s father.

Sydney is survived by his wife of 50 years, Claire, daughters Rebecca and Rachel, brother Bernie and six grandchildren.

George Clooney’s Long-Term Goal: Directing

April 2nd, 2008 / Author: cwillett

Be warned — you’ll be seeing less and less of George Clooney over the next 10 years.

No, the debonair star isn’t retiring from show business, but rather getting more behind it — behind the camera.

"Ten years from now, I imagine people will be fairly sick of seeing a lot of us who are on camera now," George says. "My hope is I’ll be directing more. That is my goal."

He’s gradually working his way toward making a name in directing. After earning rave reviews for his directorial debut, Confessions of a Dangerous Mind, George earned a Best Director Oscar nomination for 2005’s McCarthyism flick Good Night, and Good Luck. His third directing effort, Leatherheads, in which he also stars, will hit theaters Friday.

The football flick is a throwback to 1920s romantic comedies, a drastic change from his recent politically charged fare, including last year’s legal thriller Michael Clayton, which brought him a Best Actor Oscar nod and Syriana, the oil drama that won him a Supporting Actor Oscar.

"I needed to do something completely different or I was going to become the ‘issues director,"’ George says. "That sort of ends your career really quickly when the issues change."

Up next for the 46-year-old? Directing a Joel and Ethan Coen brothers’ script, Suburbicon, described by the star to be an "interesting, really funny and very dark comedy."

"The truth is I’m infinitely more successful than I ever thought I would be," he said. "I really didn’t think I was going to be in this position, so I get to push the envelope and do the things I want to do — and not what I have to do — for as long as they let me do it."

Oscar Countdown: Best Picture

February 22nd, 2008

There will be a duel for Best Picture between favorite No Country for Old Men and the Daniel Day-Lewis-fronted There Will Be Blood, which is peaking at the exact right time to be a real threat to the drug drama. But do the other three flicks stand a chance? See what OK! has to say.

Best Picture

Atonement
Pro: A sweeping love story is music to old-fashioned Oscar voters’ ears. It’s the only traditional flick of the group, which could work to its favor.

Con: The film peaked too soon — before it was even released — and failed to maintain the momentum. Missing out on a PGA nod and a director nod for Joe Wright doesn’t bode well.

Juno
Pro: It’s this year’s Little Miss Sunshine — the quirky indie comedy that charmed both the public and the critics, an uneasy task to do. Ironically, it’s the only "hit" out of all five nominees, grossing well over $100 million while the other four are struggling to hit the triple-digit landmark.

Con: As beloved as Juno is, it still has some detractors, who note that it’s too smart-alecky. Also, it failed to grab a SAG nomination for Cast Ensemble — voted on by actors themselves.

Michael Clayton
Pro: A smart thriller that was able to yield nominations for George Clooney, Tom Wilkinson and Tilda Swinton — the only film this year to earn multiple acting nods.

Con: This is a case of always the bridesmaid, never the bride. Clayton is a good film, but not a great one. Case in point: It’s been continuously shortlisted as one of the top movies of 2007, but never named THE top one.

No Country for Old Men

Pro: Ethan and Joel Coen’s cinematic opus has dominated award season so far and has kept that momentum going into Sunday’s ceremony. Coupled with heaps of acting praise (including a nod for Javier Bardem in Supporting Actor), it’d be a gamble to bet against it.


Con:
It’s a frontrunner, but not my much. Nipping at its heels is There Will Be Blood, which tied Country for eight nominations — the most of all films.

There Will Be Blood
Pro: This oil epic is peaking at the right time — when your movie is quoted on SportsCenter, you know things are going well. The stellar acting led by Daniel Day-Lewis doesn’t hurt either.

Con: The film may be too out there and too violent for some voters, but then again The Departed took the cake last year. Furthermore, the bulk of Blood’s wins have come courtesy of Daniel, who is its best chance for a statuette.

Prediction
Winner: No Country for Old Men
Next in line: There Will Be Blood

Oscar Countdown: Best Actor

February 19th, 2008

Should we bother analzying the Best Actor race? All signs point to a done deal for Daniel Day-Lewis, but it’s never safe to assume anything. So OK! brings you Mr. DDL’s competition.

Best Actor

George Clooney, Michael Clayton
Pro: George backed up his Supporting Actor win (for Syriana) with a beautiful controlled one as a legal fixer in this drama thriller. He can certainly charm his way to a bookend Oscar and those wanting to upgrade his Supporting Actor statuette to a Leading Actor one have their chance here.

Con: His nominated co-stars, Tom Wilkinson and Tilda Swinton, are slightly better and have better odds. And there’s Daniel Day-Lewis.

Daniel Day-Lewis, There Will Be Blood
Pro: Um, everything. Can anyone dethrone the Day-Lewis Express? Not really. The Brit has swept the biggies and nearly all of the critics awards. And he’s not all to shabby either in the film, which is probably the understatement of the year. His sinfully delicious Daniel Plainview is a clinic in acting.

Con: Voters may be tired of a lock.

Johnny Depp, Sweeney Todd: The Demon Barber of Fleet Street
Pro: Voters love when an actor stretches his talents and Johnny does just that, singing and slaying his way to a third nomination in five years. He is the film and when Johnny dives into parts, he dives deep.

Con: Third time will probably not be a charm for Johnny (though he will win one day) as the film may be too macabre for some voters. And there’s Daniel Day-Lewis.

Tommy Lee Jones, In the Valley of Elah
Pro: A surprise nominee, so could there be a surprise win? Tommy brought his A game in this subtle performance as a war vet searching for his MIA soldier son. He also benefits from starring in — and earning kudos for — No Country of Old Men, so he could score easy votes that way.

Con: His performance may be too subtle in an unforgettable flick. And there’s Daniel Day-Lewis.

Viggo Mortensen, Eastern Promises
Pro: A nomination has been a long-time coming for Viggo. Never one to half-ass anything, Viggo was startling and startlingly fearless as a ruthless tattooed Russian hitman.

Con: It’s not meant to be. The film was too small and didn’t break any box office records, to say the least. And there’s Daniel Day-Lewis.

Prediction
Winner: Daniel Day-Lewis
Next in line: Johnny Depp

Oscar Countdown: Best Supporting Actress

February 19th, 2008 / Author: cwillett

There has not been a more interesting race in recent years (especially since the Oscars were moved up to February) than this year’s Best Supporting Actress catfight. Without a doubt this is the most unpredictable of all the acting categories, and thus, the most exciting. How unpredictable? Four of the five have split the last four awards — Amy Ryan won the Broadcast Film Critics Award, Cate Blanchett won the Golden Globe, Ruby Dee took the SAG and Tilda Swinton scored the BAFTA. If pattern holds, that means little Saoirse Ronan will win the Oscar. Read below for OK!’s thoughts.

Best Supporting Actress
Cate Blanchett, I’m Not There
Pro: What is it about Kates that the Academy loves? First there’s Katharine Hepburn and now Cate Blanchett (who won an Oscar playing the Great Kate). The Aussie doubled up this year with two nods, and she has her best chance in this category. Totally immersed into the role, Cate is an entrancing Bob Dylan and you’d never know it was a woman playing him.

Con: The film’s too divisive and the double nomination could split votes.

Ruby Dee, American Gangster
Pro: Veteran alert again! Ruby won the SAG, which is voted on by actors — the largest of the Academy’s voting block, so she has that on her side. As for her performance, the 83-year-old sends chills in her climactic scene as Mama Lucas.

Con: The performance clocks in at less than five minutes, which is not cool in a lot of people’s books. If she wins, it’ll be the shortest Oscar-winning performance ever.

Saoirse Ronan, Atonement
Pro: She’s a budding star-in-waiting, whose stunning performance was the talk of the town before the film even hit screens. Also, Oscar loves his little girls — see winners Tatum O’Neal, Anna Paquin and last year’s nominee Abigail Breslin. Then there’s also that aforementioned pattern.

Con: The film has lost its buzz and, unfortunately, so has she to a certain degree. Also, she has yet to best her competition thus far in the award season, and she’s missing from half the film.

Amy Ryan, Gone Baby Gone
Pro: A theater vet, Amy showed everyone what she’s made of with a fearless, uninhibited turn as the mom of a kidnahpped girl. Also topnotch — her Bostonian accent. Did she go to the Meryl Streep School of Accents?

Con: Amy took a lead early on in the game, but it seems like her momentum’s peaked. Also not boding well for her is being in a smaller film and being the flick’s only nomination.

Tilda Swinton, Michael Clayton
Pro: As a corrupt U.N. chief counsel, Tilda received some of the best reviews of her career for playing a complex, bad character, who is, as she says, "trying terribly hard to be good." With her mix of unnerving ambition and vulnerability, Tilda is Clayton’s best chance to walk away with a win. Also, the tides have turned in her favor — she picked up the BAFTA, the most recent award.

Con: She’s a respected thesp, but just how much support does she have from the Academy? Also, will Clayton fans opt to honor the film elsewhere?

Prediction
Winner: Tilda Swinton
Next in line: Amy Ryan

George on Daniel Day-Lewis: “I Don’t Like Him!”

February 5th, 2008

Two years ago, George Clooney had a one in three shot of winning an Oscar and pulled through, picking up Best Supporting Actor for Syriana. This year, he has one shot, in Best Actor for Michael Clayton, but he’s not feeling good about his chances.

"If you want my honest opinion, I think it’s going to be Daniel Day-Lewis," he tells Extra. "He sort of irritates all of us because he’s so good. I’ll tell you right now, I don’t like him!"

Daniel, thus far, has been sweeping the award circuit for his transformative role in There Will Be Blood.

But should George eke out a win, what would it mean to be a double Oscar winner?

"Two Oscars," he joked.

There was no joking around though when talk turned to the humanitarian efforts of his buddies Brad Pitt and Angelina Jolie.

"She’s been amazing [as a U.N. Ambassador]. She and Brad both. They do really walk the walk. They live in New Orleans. Brad designs and builds buildings."

George hasn’t done too shabby either — the 46-year-old was recently named a U.N. Messenger of Peace.

And since it’s Super Tuesday, who is the outspoken Democrat supporting?

"I’ve never been around anything like [Barack] Obama," he says. "I’ve never seen anyone speak like that."

For more on George, tune in to Extra tonight!

Where Was George Clooney?

January 28th, 2008 / Author: cwillett

Curious about George Clooney’s whereabouts Sunday night?

Although he was nominated for Best Actor for Michael Clayton (he lost to There Will Be Blood’s Daniel Day-Lewis), the Oscar winner eschewed the SAG Awards altogether, to many people’s surprise.

So where was he?

It turns out George was halfway around the world in India, Entertainment Tonight reports. The 46-year-old humanitarian was doing his part in the country as a Messenger of Peace, a position he was appointed to by the United Nations less than two weeks ago.

As a Messenger of Peace, George is responsible for promoting the U.N.’s worldwide humanitarian activities.

He certainly is no stranger to those — in recent years the star has been active in raising awareness about the Darfur genocide.

For more on George, tune in to ET tonight!

Complete List of Oscar Nominees

January 22nd, 2008

The nominees for the 80th Annual Academy Awards were announced Tuesday morning. The complete nominatons are below.

Performance by an actor in a leading role

George Clooney in Michael Clayton (Warner Bros.)

Daniel Day-Lewis in There Will Be Blood (Paramount Vantage and Miramax)

Johnny Depp in Sweeney Todd: The Demon Barber of Fleet Street (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount)

Tommy Lee Jones in In the Valley of Elah (Warner Independent)

 

Viggo Mortensen in Eastern Promises (Focus Features)

Performance by an actor in a supporting role

Casey Affleck in The Assassination of Jesse James by the Coward Robert Ford (Warner Bros.)

Javier Bardem in No Country for Old Men (Miramax and Paramount Vantage)

Philip Seymour Hoffman in Charlie Wilson’s War (Universal)

Hal Holbrook in Into the Wild (Paramount Vantage and River Road Entertainment)

 

Tom Wilkinson in Michael Clayton (Warner Bros.)

Performance by an actress in a leading role

Cate Blanchett in Elizabeth: The Golden Age (Universal)

Julie Christie in Away from Her (Lionsgate)

Marion Cotillard in La Vie en Rose (Picturehouse)

Laura Linney in The Savages (Fox Searchlight)

 

Ellen Page in Juno (Fox Searchlight)

Performance by an actress in a supporting role

Cate Blanchett in I’m Not There (The Weinstein Company)

Ruby Dee in American Gangster (Universal)

Saoirse Ronan in Atonement (Focus Features)

Amy Ryan in Gone Baby Gone (Miramax)

 

Tilda Swinton in Michael Clayton (Warner Bros.)

Best animated feature film of the year

Persepolis (Sony Pictures Classics): Marjane Satrapi and Vincent Paronnaud

Ratatouille (Walt Disney): Brad Bird

 

Surf’s Up (Sony Pictures Releasing): Ash Brannon and Chris Buck

Achievement in art direction

American Gangster (Universal): Art Direction: Arthur Max; Set Decoration: Beth A. Rubino

Atonement (Focus Features): Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer

The Golden Compass (New Line in association with Ingenious Film Partners): Art Direction: Dennis Gassner; Set Decoration: Anna Pinnock

Sweeney Todd: The Demon Barber of Fleet Street (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount): Art Direction: Dante Ferretti; Set Decoration: Francesca Lo Schiavo

 

There Will Be Blood (Paramount Vantage and Miramax): Art Direction: Jack Fisk; Set Decoration: Jim Erickson

Achievement in cinematography

The Assassination of Jesse James by the Coward Robert Ford (Warner Bros.): Roger Deakins

Atonement (Focus Features): Seamus McGarvey

The Diving Bell and the Butterfly (Miramax/Pathé Renn): Janusz Kaminski

No Country for Old Men (Miramax and Paramount Vantage): Roger Deakins

 

There Will Be Blood (Paramount Vantage and Miramax): Robert Elswit

Achievement in costume design

Across the Universe (Sony Pictures Releasing) Albert Wolsky

Atonement (Focus Features) Jacqueline Durran

Elizabeth: The Golden Age (Universal) Alexandra Byrne

La Vie en Rose (Picturehouse) Marit Allen

 

Sweeney Todd: The Demon Barber of Fleet Street (DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount) Colleen Atwood

Achievement in directing

The Diving Bell and the Butterfly (Miramax/Pathé Renn), Julian Schnabel

Juno (Fox Searchlight), Jason Reitman

Michael Clayton (Warner Bros.), Tony Gilroy

No Country for Old Men (Miramax and Paramount Vantage), Joel Coen and Ethan Coen

 

There Will Be Blood (Paramount Vantage and Miramax), Paul Thomas Anderson

Best documentary feature

No End in Sight (Magnolia Pictures) A Representational Pictures Production: Charles Ferguson and Audrey Marrs

Operation Homecoming: Writing the Wartime Experience (The Documentary Group) A Documentary Group Production: Richard E. Robbins

Sicko (Lionsgate and The Weinstein Company) A Dog Eat Dog Films Production: Michael Moore and Meghan O’Hara

Taxi to the Dark Side (THINKFilm) An X-Ray Production: Alex Gibney and Eva Orner

 

War/Dance (THINKFilm) A Shine Global and Fine Films Production: Andrea Nix Fine and Sean Fine

Best documentary short subject

Freeheld A Lieutenant Films Production: Cynthia Wade and Vanessa Roth

La Corona (The Crown) A Runaway Films and Vega Films Production: Amanda Micheli and Isabel Vega

Salim Baba A Ropa Vieja Films and Paradox Smoke Production: Tim Sternberg and Francisco Bello

 

Sari’s Mother (Cinema Guild) A Daylight Factory Production: James Longley

Achievement in film editing

The Bourne Ultimatum (Universal): Christopher Rouse

The Diving Bell and the Butterfly (Miramax/Pathé Renn): Juliette Welfling

Into the Wild (Paramount Vantage and River Road Entertainment): Jay Cassidy

No Country for Old Men (Miramax and Paramount Vantage) Roderick Jaynes

 

There Will Be Blood (Paramount Vantage and Miramax): Dylan Tichenor

Best foreign language film of the year

Beaufort Israel

The Counterfeiters Austria

Katyn Poland

Mongol Kazakhstan

 

12 Russia

Achievement in makeup

La Vie en Rose (Picturehouse) Didier Lavergne and Jan Archibald

Norbit (DreamWorks, Distributed by Paramount): Rick Baker and Kazuhiro Tsuji

 

Pirates of the Caribbean: At World’s End (Walt Disney): Ve Neill and Martin Samuel

Achievement in music written for motion pictures (Original score)

Atonement (Focus Features) Dario Marianelli

The Kite Runner (DreamWorks, Sidney Kimmel Entertainment and Participant Productions, Distributed by Paramount Classics): Alberto Iglesias

Michael Clayton (Warner Bros.) James Newton Howard

Ratatouille (Walt Disney) Michael Giacchino

 

3:10 to Yuma (Lionsgate) Marco Beltrami

Achievement in music written for motion pictures (Original song)

"Falling Slowly" from Once (Fox Searchlight) Music and Lyric by Glen Hansard and: Marketa Irglova

"Happy Working Song" from Enchanted (Walt Disney): Music by Alan Menken; Lyric by Stephen Schwartz

"Raise It Up" from August Rush (Warner Bros.): Nominees to be determined

"So Close" from Enchanted (Walt Disney): Music by Alan Menken; Lyric by Stephen Schwartz

 

"That’s How You Know" from Enchanted (Walt Disney): Music by Alan Menken; Lyric by Stephen Schwartz

Best motion picture of the year

Atonement (Focus Features) A Working Title Production: Tim Bevan, Eric Fellner and Paul Webster, Producers

Juno (Fox Searchlight) A Dancing Elk Pictures, LLC Production: Lianne Halfon, Mason Novick and Russell Smith, Producers

Michael Clayton (Warner Bros.) A Clayton Productions, LLC Production: Sydney Pollack, Jennifer Fox and Kerry Orent, Producers

No Country for Old Men (Miramax and Paramount Vantage) A Scott Rudin/Mike Zoss Production: Scott Rudin, Ethan Coen and Joel Coen, Producers

 

There Will Be Blood (Paramount Vantage and Miramax) A JoAnne Sellar/Ghoulardi Film Company Production: JoAnne Sellar, Paul Thomas Anderson and Daniel Lupi, Producers

Best animated short film

I Met the Walrus A Kids & Explosions Production: Josh Raskin

Madame Tutli-Putli (National Film Board of Canada) A National Film Board of Canada Production Chris Lavis and Maciek Szczerbowski Même Les Pigeons Vont au Paradis (Even Pigeons Go to Heaven) (Premium Films) A BUF Compagnie Production Samuel Tourneux and Simon Vanesse

My Love (Moya Lyubov) (Channel One Russia) A Dago-Film Studio, Channel One Russia and Dentsu Tec Production Alexander Petrov

 

Peter & the Wolf (BreakThru Films) A BreakThru Films/Se-ma-for Studios Production Suzie Templeton and Hugh Welchman

Best live action short film

At Night A Zentropa Entertainments 10 Production: Christian E. Christiansen and Louise Vesth

Il Supplente (The Substitute) (Sky Cinema Italia) A Frame by Frame Italia Production: Andrea Jublin

Le Mozart des Pickpockets (The Mozart of Pickpockets) (Premium Films) A Karé Production: Philippe Pollet-Villard

Tanghi Argentini (Premium Films) An Another Dimension of an Idea Production: Guido Thys and Anja Daelemans

 

The Tonto Woman A Knucklehead, Little Mo and Rose Hackney Barber Production: Daniel Barber and Matthew Brown

Achievement in sound editing

The Bourne Ultimatum (Universal): Karen Baker Landers and Per Hallberg

No Country for Old Men (Miramax and Paramount Vantage): Skip Lievsay

Ratatouille (Walt Disney): Randy Thom and Michael Silvers

There Will Be Blood (Paramount Vantage and Miramax): Matthew Wood

 

Transformers (DreamWorks and Paramount in association with Hasbro): Ethan Van der Ryn and Mike Hopkins

Achievement in sound mixing

The Bourne Ultimatum (Universal) Scott Millan, David Parker and Kirk Francis

No Country for Old Men (Miramax and Paramount Vantage): Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland

Ratatouille (Walt Disney): Randy Thom, Michael Semanick and Doc Kane

3:10 to Yuma (Lionsgate): Paul Massey, David Giammarco and Jim Stuebe

 

Transformers (DreamWorks and Paramount in association with Hasbro): Kevin O’Connell, Greg P. Russell and Peter J. Devlin

Achievement in visual effects

The Golden Compass (New Line in association with Ingenious Film Partners): Michael Fink, Bill Westenhofer, Ben Morris and Trevor Wood

Pirates of the Caribbean: At World’s End (Walt Disney): John Knoll, Hal Hickel, Charles Gibson and John Frazier

 

Transformers (DreamWorks and Paramount in association with Hasbro): Scott Farrar, Scott Benza, Russell Earl and John Frazier

Adapted screenplay

Atonement (Focus Features), Screenplay by Christopher Hampton

Away from Her (Lionsgate), Written by Sarah Polley

The Diving Bell and the Butterfly (Miramax/Pathé Renn), Screenplay by Ronald Harwood

No Country for Old Men (Miramax and Paramount Vantage), Written for the screen by Joel Coen & Ethan Coen

 

There Will Be Blood (Paramount Vantage and Miramax), Written for the screen by Paul Thomas Anderson

Original screenplay

Juno (Fox Searchlight), Written by Diablo Cody

Lars and the Real Girl (MGM), Written by Nancy Oliver

Michael Clayton (Warner Bros.), Written by Tony Gilroy

Ratatouille (Walt Disney), Screenplay by Brad Bird; Story by Jan Pinkava, Jim Capobianco, Brad Bird

The Savages (Fox Searchlight), Written by Tamara Jenkins

 

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